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Everlast: Prince Alec and the Black Dragon

everlastDescription

EVERLAST: Prince Alec and the Black Dragon is a 3D platform action-adventure game, created to be as a stand-alone application for Apple Mac. The user takes the role of Prince Alec, a courageous hero and the game’s main protagonist who valiantly searhes to rescue a princess from a dragon. The game is set in the imaginary Kingdom of EVERLAST; you travel across a variety of different environments, overcoming various challenges, obstacles, puzzles and enemies in order to succeed. The user is able to control Prince Alec, making him run, jump, engage in sword fighting and solve puzzles. In order to complete the game, Prince Alec travels across 6 different levels (also known as “Chapters”) across the fictional kingdom, facing a number of different situations and environments.

I attempted to make something that looks distinctive, original and stylised, as well as an experience is highly enjoyable and challenging for the audience. Artistic Justification - The artistic justification not only covers the visual aspect of EVERLAST but also spreads further to the storyline, characters, sound design as and the overall message that is being conveyed with the project. Visually, I wanted to give the game a handmade design, so that the game feels as though it has a human and slightly imperfect touch. I researched into different visual influences that portray a handmade, intentionally imperfect look.

I was influenced by the work of animator and director Jamie Caliri. Two of his most influential pieces of work include the end credit sequence to Lemony Snickett’s a Series of Unfortunate Events (2004) (Appendix 13a) and Dragon (2006) (Appendix 13b), an animation produced as an advertisement for United Airlines. Caliri is able to create amazing shapes and scenarios with his sets and characters and sets the tone of his work with clever use of colours, filters and sound. All his animated works include a unique construction-paper look about them and each prop, character and set look as though they are carefully and intricately created. I want to bring this style to my game and incorporate this mix of delicate intricacy and beauty. The fragility of some of his models influenced some of my designs significantly and helped me shape my project. For example, the design of the end credit sequence was a big influence to Chapter 3, where Prince Alec crosses the Great Lake. No other games are trying this style and I believe it works well in the fantasy look that I was attempting to achieve.

Technology

Unity 3D - Game Development

Unitron - Javascript Coding

Photoshop - Texture creation and editing

Audacity - Audio editing

Web

Client Testimonial

Europrix Multimedia Awards 2008I was nominated for the EUROPRIX Multimedia Awards 2008, as one of Europe’s best young producers. There are 338 entries from 28 countries evaluated by the jury team of the EUROPRIX Multimedia Awards (www.europrix.org) and I was down to the last 23. I was the only British entry in this European competition and was finally selected to be in the top 3 of the Games category. I submitted Everlast: Prince Alec and the Black Dragon(www.everlastgame.co.uk) a 3d platform game produced in Unity 3D. The event was held in Graz, Austria in November 2008.

“Action + adventure = fascinating games. By juxtaposing 2d flat elements within an atmospheric 3d environment, “Everlast” gives a novel twist to a classic computer game genre. The progressive challenges comprising finely balanced interaction combine with engaging sound and strong visual aesthetics to appeal to a wide audience. Graphical style is consistent and well resolved, and level design cleverly considered. Meticulous attention to detail lends this significant solo project a compelling air of beauty and integrity.”

Juror's Evaluation, Europrix Multimedia Awards 2009.

 

Contact

e-mail. oliver@olivercard.co.uk
tweet. @ohwcard
skype. olliecard
phone. +44 7871 636828